A nostalgic journey through love, music and supernatural; brought to life with stunning visuals and heartfelt performances. This creative team has crafted a remarkable show that stays respectful to the original 1990 film. 

Like many others, I never quite know what to expect from an "in concert" performance. However, this production featured notable set pieces, including a chaise lounge and the famous potter's wheel. What truly elevated the show was the video wall designed by Jon Driscoll. It instantly set the tone, with the audience cheering as soon as the title appeared.  The iconic pottery wheel scene, staged downstage to the side, was accompanied by artistic close-ups of interwoven bodies that somewhat overshadowed the onstage visuals.

The choreography by Ashley Wallen was simple but well executed, often enhanced and echoed by the video wall. One particularly memorable moment involved light-up umbrellas, adding a visually striking element to the performance. While I would expect more from a fully staged show, for an "in concert" performance, these touches were enough to bring the production to life.

Lucie Jones is, without a doubt, a name you might recognise if you're a musical theatre fan, and she did not disappoint. Endearing and incredibly talented, Jones was a major asset to the cast. As Molly Jensen, she has some wonderful songs that, judging by the audience’s reaction, will only improve with repeated listens. Playing Sam Wheat, Oliver Tompsett has great stage presence and delivers the comedic moments with perfect timing.

I loved some of the more creative touches, such as when the spirit with the amazing jacket jumps into Oda Mae Brown’s body. The video wall and lighting also made the moment when the evil spirits are taken away truly memorable. The use of haze, and the way the lighting interacted with it, was beautiful. I hope this was the vision of Lighting Designer Ben Cracknell rather than a fortunate accident, but with these one-night-only shows, I wonder how much time was spent fine-tuning these details.

David Season-Young, as Carl Bruner, was an understated highlight, showcasing his versatility and skill as a performer. Moya Angela, as Oda Mae Brown, was a crowd favourite, and her characterisation was spot on. I was slightly disappointed as she was the only cast member using a script, but it did not affect her overall performance.

I would love to see this as a fully staged production!.

This show was reviewed on the 1st October 2024 at the Adelphi Theatre, London

Review written by Valentine Gale-Sides

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