Synonymous with GCSE English literature syllabuses around the country, War Horse has been revived by Katie Henry for another UK Tour. Having been seen on Broadway and London’s West End the piece is travelling the length and breadth of Britain once again and is currently playing at Salford’s Lowry Theatre.
Originally written by Michael Morpurgo and adapted for the stage by Nick Stafford, War Horse is the story of a farm foal named Joey who is auctioned off for an extortionate amount in 1912. He is later sold to the army to fight in the First World War. His owner, Albert is unbeknownst that his dear beloved horse has been sold to fight for his country and seeks to be reunited with the spirited animal.
This production of War Horse, directed by Tom Morris, is nothing short of sensational, as has become to be expected of acclaimed National Theatre productions. They consistently produce exemplary pieces of theatre and this production may well be the benchmark for plays with puppets. Having never read the book or viewed the film, going in blind was almost a blessing in disguise as the range of emotions the story evokes left not only me but the entire audience in disbelief at what was unfolding in front of our very eyes.
The horse puppets (designed by Adrian Kholer) and puppeteers’ are the stand out performers in which the entire cast are impressive. Whilst the horses (Joey and Topthorn) are translucent, industrial and machine like, you can see how they are being operated yet almost fully believable that each one are real. The movement and nuances of the horses provide further layers of emotional connection as throughout the course of the piece we see relationships between the horses grow. Each puppeteer are truly a master of their craft.
Tom Sturgess gives a fully rounded performance as innocent and naïve Albert training Joey, to the young man he becomes in the battlefields. The performance perfectly encapsulates the love humans have with their animals and the irreplaceable bond between the two. Sturgess’ emotional connection with the horse and audience grew throughout the performance until it reached its climax with several audience members in floods of tears. The ensemble of cast members who multi role at times give a convincing account of the traumatic sense of what the war would have been like. Harrowing yet leaving you in a sense of disbelief.
Staging and the overall design of the production (Rae Smith) is purposefully dark throughout capturing the stirring feeling of the war. Whilst the staging is minimalist this allows our entire focus to be on the compelling story and convincing storytelling being told on stage. Bright bursts of light are used effectively, particularly within the transition of Joey becoming a fully grown horse. Lighting design by Rob Casey, together with video design (Nicol Scott and Ben Pearcy) are seamless and coherent with one another creating layers of depth within the sparsely decorated space.
War Horse is the perfect theatrical experience for the entire family. A production which elicits a wide varying range of emotions throughout within a poignant story allowing us to reflect on the past. This is a one of a kind theatrical experience with an abundance of horsepower.
This show was reviewed on the 27th September 2024 at the The Lowry, Salford where the show runs until the 28th September 2024. Tickets available here: War Horse | What's On | The Lowry
Full tour details for the show can be found here: War Horse | UK & Ireland Tour | Official Play Website (warhorseonstage.com)
Review written by Jordan Potts
AD/Gifted
Photo credit: Brinkhoff Moegenburg
Check out other reviews from Curtain Call Reviews and get in touch to have our reviewers head to your show.
We need your consent to load the translations
We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.