The Mirror Crack'd
The Mill at Sonning’s autumn/winter season has opened with a production of Agatha Christie’s classic whodunnit The Mirror Crack’d, adapted for the stage by Rachel Wagstaff, and directed by Jonathan O’Boyle.
This is a Miss Marple story, set in St Mary’s Mead - classic Home Counties territory which makes it a perfect choice for the delightful Mill at Sonning, just down the road from Christie’s Wallingford home. The welcome here is always so fantastic, from the helpful, friendly car park attendants, to the front of house team, to Co Artistic Director Sally Hughes chatting to guests in the restaurant.
The Mill has recently started selling tickets for some performances that don’t include a meal in the restaurant beforehand, but the vast majority of tickets include a two course meal and the restaurant has really upped its game. Dinner was delicious, and presented beautifully. Our table all enjoyed both courses and we all devoured the themed Crème Brûlée. What is also always really noticeable is the team of largely young people, waiting on tables, always helpful, and friendly. It is such a great start to an evening’s theatre.
On entering the auditorium, I was struck by the set. It was mainly set up as Jane Marple’s cottage front room, but as the action develops, it transforms to a film set, and various other locations, often marked out by the subtle change in flooring or lighting. It was very cleverly designed, and made full use of every inch of the auditorium, with characters entering not just from the wings but also the audience. It instantly had the effect of ensuring that we, the audience, felt part of the mystery and the action. I also loved the subtle attention to period detail, even down to the lovely Ella Fitzgerald playing to the audience beforehand.
Liza Goddard plays Miss Marple, with a charm and playfulness, but also at times fragility. She starts the play, with an ankle injury, ever the doddery old lady…but then manages to solve the whodunnit, but not without making the odd error along the way. It’s a lovely performance.
She is aided by chief Inspector Craddock, played by James Mack, and friend Dolly Bantry, played by Annie Wensak. Craddock is clearly out of his depth and it’s the two octogenarians who eventually crack things. Both performances are well judged, and avoid caricature.
No Agatha Christie is complete without a murder, or three or four! In The Mirror Crack’d the death that sets it off, belongs to poor Heather Leigh, played by Jane Quinn. She has been invited as the chair of the local St John’s Ambulance to the party of movie star Marina Gregg, who has just moved into the village and it appears that the poisoned cocktail that kills Heather was meant for Marina.
Marina, played by Sara Crowe, is the faded movie star, full of glamour, and arrogance, and mystery. There are definite layers to Crowe’s portrayal and you see the mistrust but also the regret and pain and loneliness.
All the performance were good. I especially liked Cherry, played by Elysia Showan in her debut, and the glamorous Saskia Strallen as rival film star Lola.
I do love an Agatha Christie. For me, this one was possibly a little more cliched than some, but I did enjoy it, and I thought Rachel Wagstaff’s adaptation worked well. The second half zipped by, and had a lovely pace to it. There was a lovely measure of gentle humour thrown in too.
It’s always a great fun evening to go to the Mill. A great start to the season!
This show was reviewed on the 11th September 2026 at the Mill at Sonning where it runs until the 31st October 2026. Tickets available here: The Mirror Crack’d - Mill at Sonning
Review written by Ruth Hawkins
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Photo credit : Pamela Raith
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