The Girl on the Train

Paula Hawkins’ bestselling novel is given a thrilling portrayal on stage, adapted by Rachel Wagstaff and Duncan Abel. This stage adaptation captures the essence of the original novel, culminating in a gripping and intense production. 

Many viewers may already know the story from the original 2015 novel or the 2016 movie starring Emily Blunt. Whilst the movie transferred the setting to upstate New York, the stage adaptation stays true to the book, set in London, with this version telling the story entirely from the perspective of Rachel, the title character ‘The Girl on the Train’.

Rachel’s fragile mental state unfolds on stage as her life falls apart following her fertility struggles and ex-husband’s infidelity. She travels to work each day on the train, accompanied by a bottle of vodka, and obsesses over the ‘perfect’ couple who she watches out of the window. Upon discovering the woman has gone missing, Rachel becomes immersed in the subsequent investigation.

Giovanna Fletcher takes on the role of Rachel Watson in this version. It’s a demanding role given that the character remains onstage throughout the entirety of the show. Fletcher manages to deliver a believable performance of a character struggling with addiction and betrayal who is both vulnerable and determined. As Rachel is subjected to psychological manipulation and gaslighting, the audience are drawn to sympathise with her in spite of her misguided decision making. Natalie Dunne as missing woman, Megan Hipwell, also delivers a moving performance, particularly in flashbacks which see her opening up about her unresolved grief from a traumatic adolescence.

Although a psychological, emotional storyline delving into the themes of addiction, betrayal, adultery and unresolved crime, this is juxtaposed by some subtle, dry humour, delivered excellently by the skilled actors on stage.

The set design (Adam Wiltshire) and lighting (Jack Knowles) are central to the success of the production, with both used to great dramatic effect to emulate the novel’s unsettling atmosphere. Lighting and video (Dan Light) are cleverly used to keep the storyline fast paced including sections of flashbacks which are interwoven into the present-day action. The acting and special effects are successful in ensuring these moments have clarity and maximum impact whilst also instilling a sense of confusion which reflects the gaps and uncertainties in Rachel’s memories.

The psychological thriller is told with seamless scene transitions; the music, lighting and choreography of movement used to strategically keep the production riveting and suspenseful. Fans of the book and those seeing the show for the first time are sure to be gripped!

This show was reviewed on the 11th February 2025 at The Lowry, Salford where it runs until the 15th February 2025. Tickets available here: The Girl on the Train | What's On | Lowry | Lowry

Review written by Rachael & Gabrielle Groves

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Photo credit: Pamela Raith

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