The Fear of 13 is a deeply moving experience that immerses the audience in a whirlwind of emotions. The story is so compelling that it must be seen to be believed, evoking a strong sense of connection and empathy.
Academy Award-winning actor, producer, composer and painter Adrien Brody transfixes the audience in this 145-minute no-interval production. In a gripping role, Brody deserves acclaim for this production. From laughter to tears, Adrien Brody is perfect as Nick Yarris. In Tim Sheader’s first production as artistic director at Donmar Warehouse, Lindsey Ferrentino’s play is spellbinding.
Retelling the tormenting tale of Nick Yarris, who landed on Death Row, writer Lindsey Ferrentino mentions that if we tell the same lies long enough, we can begin to believe them ourselves, but that doesn’t make it accurate. Is circumstantial evidence sufficient to convict a murderer? Before DNA analysis, it might have been, but while DNA can prove someone committed the crime, can it also prove innocence?
Nana Mensah's portrayal of the do-gooder volunteer, Jackie Schaffer, is utterly captivating, leading the audience through the narrative with grace and intrigue. Mensah's ethereal presence on stage, alongside Brody, is like two clouds floating in space, ready to spark with lightning at any moment. Their performances demand attention and keep the audience excited throughout the play.
Brody and Mensah are joined by an ensemble cast of fellow death row inmates, parents, love interests, and members of the public, each of whom contributes to the intense production. The incredible cast creates the perfect backdrop for Brody and Mensah to shine. Every actor on stage deserves credit for their personal characterisation and the way they bring the story to life, leaving the audience feeling appreciative and respectful.
Withholding most of the plot, the story is told through Brody and his position inside prison. Therefore, the cast around him is moulded like clay puppets into the characters needed to finally tell his story. Special mentions must go to the incredible vocal additions from the whole cast, especially Posi Morakinyo, whose voice echoes in the Donmar Warehouse in a tearjerking moment. Cyril Nri’s intense characterisation was not unnoticed, and the audience fell in love with his portrayal of a motherly figure. Ferdy Roberts is perfectly terrifying when needed, and Tommy Sim’ann’s ability to frighten an audience by voice alone while his back is turned is spine-chilling. Maintaining the same character throughout is Aidan Kelly, who acts as Brody’s guard, authoritarian and surprisingly gentle when needed. Kelly created a constant in the play, pushing through visiting hours at a pace that helped keep this 145-minute act running without feeling delayed or subdued.
Considering this is Tim Sheader’s first production at the Donmar, it is clear that the whole season will be impressive. From conception to delivery, The Fear of 13 is flawless, with a dramatically stark yet multifaceted set reliant on the actors, which pays off. It would be easy to overembellish this play with excessive set, cast, costume, etc.; however, the honesty of having an agonising story stripped bare and displayed in almost raw honesty is bold, defiant and awe-inspiringly perfect.
The fact the entire audience would simultaneously gasp or sigh empathetically throughout the production is a testament to how engaging this production is. Similarly, walking out of the room in stunned silence is a tribute to director Justin Martin’s work and decision on how to end the show.
It is a thoroughly impressive production that deserves to be sold out!
This show was reviewed on the 11th October 2024 at the Donmar Warehouse, London where it runs until the 30th November 2024. For details of the show please visit: THE FEAR OF 13 — BY LINDSEY FERRENTINO | Donmar Warehouse
Review written by Ryan Lenney
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Photo credit: Manuel Harlan
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