The much anticipated adaptation of The Devil Wears Prada, based on the iconic 2003 novel by Lauren Weisberger and the hit 2006 film, has finally sashayed its way to the West End.
The story centres on Andrea Sachs (Georgie Buckland), the naïve journalist who lands a job as an assistant to Miranda Priestly (Vanessa Williams) the icy editor of Runway magazine. Andrea soon finds out the hard way that being a ‘Miranda Girl’ has consequences. Business always comes first and if you want the job you have to jump through hoops to impress at the detriment of your personal life.
The Devil Wears Prada marks the West End debut for Georgie Buckland and I must say this won’t be the last we see of her. She gives the character a relatable, earnest charm but as the stakes rise so does she, a true leading lady. She does a fantastic job of capturing the glitz and the grind of the fashion world while giving a few nods to the poignant moments of self-discovery in Andrea’s journey.
Rhys Whitfield plays her boyfriend Nate, the pair have great chemistry and the audiences are rooting for them even as Andrea lets the success go to her head. Amy Di Bartolomeo (Emily) is glamorous and sassy which is a part written for her, but as the show plays out we see a vulnerable side to her which shows her versatility as an actress, you can’t help but feel sorry for her as the story develops. Both Bartolomeo and Bucklands vocals are out of this world, rock/pop at its finest.
Matt Henry (Nigel), Priestly’s right-hand man gives a heartfelt performance and sings from the heart with all the passion you’d expect from a true star. Finally, the queen bee herself Vanessa Williams. Her portrayal of Miranda Priestly is legendary as she makes the part her own. Williams gives icy precision with each line, delivering the biting one-liners with such sharpness that you hear the audience gasp then snigger with every snide remark, but let’s face it that is what we are all here for. We also see a vulnerable side to her in Act II which is very much welcomed, showing there is a heart under the hard exterior and bravado.
The show is a fast-paced, sparkling affair that plays like a chic runway show with some stunning ensemble numbers and incredible outfits. Directed and choreographed by Jerry Mitchell, if you are familiar with his work you can see glimpses of Kinky Boots and Legally Blonde in this production with all the razzle-dazzle of the runway.
The sets are sleek, the costumes high-end and stylish (of course) and the cast strut their stuff like their lives depend on it with all the confidence you'd expect from a world revolving around high-end fashion. The score, composed by Sir Elton John has some standout moments, particularly in the second act. The ballad "No Turning Back" sung by Georgie Buckland in the face of a career crossroads, and the larger-than-life "Runway" number is a Musical Theatre anthem in waiting.
The show delivers on glamour, sass, and show-stopping moments with an exceptional cast. I think this piece is film to stage perfection and it is everything that you’d hope it would be. The Devil Wears Prada provides an entertaining spectacle for anyone willing to indulge in a glamorous world of high stakes, high fashion, and high drama. Make sure you dress up you don’t want to be an easy target!
This show was reviewed on the 1st December 2024 at the Dominion Theatre, London where it runs until the 18th October 2025. Tickets available here: Devil Wears Prada Musical | Dominion Theatre London | Official UK Site
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Photo credit: Matt Crockett
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