Sweetmeats
Sweetmeats follows Hema, who calls herself "the scary Indian woman," and is trying to change for the better. She's in her 60s now, and with a diagnosis of type 2 diabetes, she wants to stabilize her sugar, which lands her in a course to learn exactly what lifestyle changes to make to achieve that. Tick and tick.
But then came Liaquat. Annoying, rule breaking Liaquat. While this seems like the most unlikely pair, what Karim Khan has done in their new piece of writing is draw a focus to our elders. The legacy that comes with leaving home and realizing you have spent longer here than in your home country. That you are at the later stages of your life. At this point, who do you live for? After being so good, is a sweet treat all that bad?
If you have come to the Bush expecting high action and shocking twists, this may not be the show for you. But if you want something more quiet, a piece that explores culture through the art of making and sharing food, and an unlikely couple you root for and want to have a bit of a cry with, then this sweet slow burner is a treat worth indulging in.
Sweetmeats is a Tara Theatre co-production. Directed by Natasha Kathi-Chandra, the pace of this show is slow, perhaps at times too slow, but in the same breath, delicate. The comedy is played up, and emotions run high. The cooking sequence was a highlight. While it was simple, the direction felt organic and matched the natural rhythm of the text.
Hema, played by Shobu Kapoor, is a powerhouse. She has us on her side, and we root for her. When she won, we all did. We recognize Hema: a kind yet hardened woman, selfless to perhaps her own detriment. This is paired with Rehan Sheikh as Liaquat. At times aloof, but in his own way, tender and sweet. Perhaps it was the press night jitters, or maybe this was a directorial choice, but the pair, while natural, did step on one another's lines a few times, which meant we lost some of that beautiful text. They are a fantastic pairing who tug and pull at every emotion.
The playing space of the evening was a set comprising the meeting location, a bus stop, and the two homes of our characters, which includes a kitchen. Aldo Vázquez went above and beyond in their design. I would recommend taking your seats early so you can have a look. It was cosy, personal, and perfectly ordinary. Moments of sound and traditional music were also a treat by sound designer Hugh Sheehan.
A love story between elders is not something we see on stage, yet there should be more. A love story that centres on South Asian experiences with health, family, grief, and culture is even more needed. If you need a sweet reminder of life, love, or just to maybe steal a mango, Sweetmeats is where you gotta go.
This show was reviewed at Bush Theatre, London on the 13th February 2026 where it runs until the 21st March 2026. Tickets available here: Sweetmeats | By Karim Khan | Bush Theatre
Review written by Mary Condon O'Connor
AD/Gifted
Photo credit: Craig Fuller
Check out other reviews from Curtain Call Reviews and get in touch to have our reviewers head to your show.