6 year old Manny (Juan José Galeano) is excited to prepare a welcome home dinner for his dad who's been away at work. Together with his Mum, Granny, and a superhero companion, he's planning to cook a family meal of arepas, guacamole, and a delicious dessert. When a mishap puts the whole operation on the line, will Manny be resourceful enough, and take on the challenge to put things right? He might even need the help of the audience!
The Polka Theatre is such an inclusive venue, it’s always great to see such a variety of people attending. ‘Súper Chefs’ attracted an international audience, with many bilingual families filling the auditorium. This fit perfectly with the creative side of the show, as the script was split fairly evenly between Latin American languages and English meaning those who spoke both or either could understand all the dialogue.
This fun exploration of culinary culture centres around Latin American food and how it brings people together, discovering for many English children what may be completely new dishes, attitudes, and environments! Getting to be physically involved in the production was a real highlight for this, and the tactile nature of handling ingredients (both real and prop pieces) meant it was accessible for most - especially those who are blind or visually impaired.
Harvey Ebbage has created a fun and funky lighting design, moreover impressive for a studio space - and the same can be said for the set (by Male Arcucci). The staging and visual effects it provided may have been the standout element across the technical departments where unfortunately the weak link here was sound quality. It's clear that Ariel Cubría’s score was well done, and you left singing along to some catchy tunes, but there wasn’t enough substance or volume for it to match the energy of the performers. Especially as the actors were mic’d in such a small space, the levels felt a little off and awkward at times as the vocals nearly drowned out the music.
On this note, it is safe to say that Natassia Bustamante is destined to go far in the world of theatre, as her performance ability is never brought into question - her entire persona stealing the show. Unfortunately her fellow cast members didn’t quite meet the same standards, and the arguable protagonist of the piece felt like the weakest across the board. In a show that requires playful multi-rolling skills, interactive improvisation, acting through song, and dance all at once it feels the phrase ‘jack of all trades master of none’ may be appropriate.
Overall, the writing achieves what it set out to do, integrating audiences from multiple different backgrounds, but it just needed a more capable ensemble and some fine tuning (quite literally).
This show was reviewed on the 12th October 2024 at the Polka Theatre Theatre, London where it runs until the 13th October 2024. Tickets available here: Polka Súper Chefs (polkatheatre.com)
Review written by Katie Anna McConnell
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Photo credit: Sonia Visual Storytelling
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