Richard III
Shakespeare’s historical play tells the story of Richard III and his rise to the crown. Infamous for the fate of the Princes in the Tower, Richard will stop at nothing to be King and tear down anyone who he believes stands in his way, and the bloodier the better.
Directed by Richard Cheshire the production is set against the backdrop of a Peaky Blinders styled gangland. This works well with the themes of the play and Bobby Standley’s sound and Barry Smith’s lighting create a dark atmosphere which adds to the intrigue and more sinister moments of the plot. There are some notably eerie moments, lit wonderfully, when ghosts of his victims’ haunt Richard. Patrick Connellan’s set design works brilliantly on its distinct levels and the detailed pieces transfer the audience to the dark underworld.
The title role is played by Matthew Duckett, in a commanding performance, with the vulnerability of the character shown well, even if the circumstances have been caused by the character himself. The audience might not have empathy for the character, but they do travel with him on his journey.
Samuel Morgan-Davies' (playing various roles of Lord Rivers, Brackenbury and A Citizen) stand out performance is that of Richmond, the man who finally gains victory over Richard and ends his brutal assaults. Morgan-Davies’ characterisation is focused and driven and delightful to observe.
Lucinda Freeburn as Lady Anne is a wonderfully natural portrayal as she fights her inner hatred of Richard to marry him in the hope of protecting her family. Her character is strong, yet naive and Freeburn balances this well to conclude with a relatable character.
Perhaps the most interesting casting of the piece is Sean O’Callaghan as Queen Margaret (he also portrays King Edward and Lord Stanley brilliantly). Whist Shakespeare is commonly known, in its original outings particularly, for men playing the female roles, it is a brave and intriguing decision to have the tallest and most masculine actor in the cast portray a veiled widowed Queen. However, the gamble pays off, and it is the most compelling performance of the evening. O’Callaghan’s portrayal is intensely driven and absorbs the audience into their bitter warnings of the future. A gifted performance.
This is a wonderfully aesthetic production with immense talent and remarkable direction. Enjoyable for all ages, but a great modern adaptation for younger audiences to follow.
This show was reviewed on Wednesday 24th June 2026 at Stafford Gatehouse Theatre where it runs until the 4th July 2026. Tickets available here: RICHARD III - Stafford Gatehouse Theatre
Review written by Rachel Louise Martin
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Photo credit : Provided by production
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