Pride and Prejudice* (*sort of)
Pride and Prejudice* (*sort of), written and directed by Isobel McArthur, is a comedic and refreshing critique of Jane Austen's Pride and Prejudice. This full-length play condenses the classic story into its key moments, effectively capturing the essence of the original while emphasising the frequent and elaborate balls of the narrative. What sets this adaptation apart is the unique perspective from which it is told; through the eyes of the servants. These characters not only play all the roles but also engage directly with the audience, adding humour and warmth by reminding them to grab refreshments during the interval.
The production starts with a semi-immersive experience that sets the tone for the evening. As the audience settles in, the cast is seen cleaning brass and dusting around the auditorium, playfully interacting with audience members. Some theatregoers jokingly asked if the performers could come clean their houses, highlighting the show's ability to blur the lines between performance and reality.
A key comedic element in the plot revolves around Mrs. Bennet, brilliantly portrayed by Rhianna McGreevy. Mrs. Bennet's character is taken to new heights with a pronounced personality and an added layer of alcoholism, which McGreevy handles with a perfect blend of desperation and comedic timing. Notably, McGreevy also takes on the role of Mr. Darcy, showcasing her versatility as she switches between the anxious mother eager to marry off her daughters and the brooding, wealthy bachelor. The multi-roling aspect is supported by clever costume additions—Darcy's character is signified by a jacket, while the daughters are differentiated by dresses of varying styles, all worn over the long white servants' chemise that serve as the base costume.
The costume design by Ana Ines Jabares-Pita is nothing short of ingenious. The juxtaposition of classic and contemporary elements is visually striking and thematically relevant. The base costume—a simple full-length white chemise is paired with modern footwear with a look of Doc Martens, creating an anachronistic yet aesthetically coherent look. This blend is further emphasised by contemporary props such as a large wheelie bin labelled "Aust-Bin" and a light-up karaoke speaker, which add a playful, modern twist to the Regency setting.
The incorporation of live music and familiar hit songs adds another layer of enjoyment. The use of simple instruments like recorders and glockenspiels, reminiscent of primary school music classes, alongside well-known tunes such as ‘Lady in Red’ included for a humorous nod to Lady de Bourgh and enhances the show's appeal and accessibility.
Physical comedy is another highlight, with clever techniques used to create visual gags and illusions. One memorable scene involves Jane supposedly riding a large horse, aided by the other sisters using exaggerated motions and sound effects like coconut shells and water guns to simulate movement and weather, enhancing the theatricality and humour of the production.
Naomi Preston Low's portrayal of Elizabeth Bennet deserves special mention. She brilliantly captures the character's bluntness and rudeness without it coming off as contrived. Her Elizabeth is both spirited and sharp, providing a strong female voice that resonates well with contemporary audiences.
Pride & Prejudice* (*sort of) revisits Austen’s beloved novel through a humorously critical lens, offering both laughs and insightful commentary on societal norms. It's a show that truly invites viewers of all ages to take pride, without prejudice, in its delightful reinterpretation of a literary classic. This production is a must-see for Austen fans and newcomers alike, promising an evening of entertainment and reflection.
This show was reviewed on the 24th February 2025 at Richmond Theatre where it runs until the 1st March 2025. Tickets available here: Pride and Prejudice* (*sort of) Tickets | Richmond Theatre in Greater London | ATG Tickets
Full tour details can be found here: Cast & Creatives | Pride & Prejudice (sort of)
Review written by Valentine Gale-Sides
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Photo credit : Mihaela Bodlovic from the 2024 production
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