Mary Poppins
P.L. Travers first short story containing her famous titular character was published in 1926, with her novel following in 1934. Walt Disney’s film adaptation appeared on cinema screens in 1964. Yet, the themes and lessons to be learnt from this iconic story are forever relevant to us.
The production we see now is a Cameron Mackintosh and Disney spectacular in every sense of the word.
For anyone not aware (and there is always one) Mary Poppins is the mysterious young Nanny that appears on the doorstep of the Bank’s household. Set in the early 1900’s, Mr Banks has little time for his wife or his children and focuses on his job at the bank. With the help of Poppins and her friend Bert the two Banks children, Jane and Michael, embark on adventures which brighten their lives, in the hope that their sunny disposition will pass on to their Father.
Stefanie Jones takes on the title role of Mary Poppins, and she truly is ‘practically perfect in every way’. From her body language to her mannerisms, her vocal ability to her relationship with Bert, it all just seems to slot in to place. Equally, Jack Chambers as Bert is the epitome of cheeky chimney sweep, his storytelling is sublime, and his dance skills are astounding.
Bob Crawley’s Scenic and Costume design takes us on the same journey that the children are experiencing, their black and white world is suddenly full of colour and possibility. Dancing with park statues and purchasing words in Mrs Corry’s magical sweet shop becomes part of a normal day for Jane and Michael and their enthusiasm and delight spills over into the audience.
Matthew Bourne’s Choreography is simply incredible! It is energetic, vigorous, and incredibly complex. In particular ‘Step In Time’ simply takes your breath away, an absolutely incredible piece of musical theatre.
The children are played at this performance by Olive Harrison (Jane) and Oliver Benson (Michael), and what incredible talent for the future they are. Their comic timing and vocal abilities are truly admirable, both completely embodying their characters.
Their parents George, played by Michael D. Xavier and Winifred, played by Sarah-Marie Maxwell, both impress with their journeys throughout this story and it’s nice to see the build in their characters. Rosemary Ashe as Mrs Brill and Ruairidh McDonald as Robertson Ay, the Bank’s household workforce, both provide commendable comic moments.
An additional mention must go to Cameron Thomas Jones as Neleus, the statue who comes to life and is searching for his father Poseidon. His portrayal is just adorable, mirroring the Bank’s children’s craving for a closer relationship with their own father.
The underlying message of this tale is, ‘that with the right amount of imagination, anything is possible,’ but also that a loving family is a beautiful richness to have and how we treat people is the most important thing of all.
This is a remarkably talented cast of performers and creatives, and the production is breathtakingly beautiful in both its aesthetics and its presentation.
Whether you are a fan of the film, the books, or the music, you will not be disappointed! A truly remarkable evening out for all the family to enjoy.
Super-cali-fragi-bloomin-fantastic!
This show was reviewed on the 18th July 2025 at the Birmingham Hippodrome where it runs until the 23rd August 2025. Full tour details here: Mary Poppins – Birmingham Hippodrome
Review written by Rachel Louise Martin
AD/Gifted
Photo credit : Danny Kaan
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