Lizzie The Musical
Since its 2009 premier in NYC, Lizzie already has several accolades to its name including 8 best musical awards to date. This latest version of the true crime rock musical does not disappoint.
The musical follows the renowned story of Lizzie Borden in 1892 in Fall River, Massachusetts when Lizzie was accused of murdering her father and stepmother with an axe. Still unresolved to this day, this tale captivates audiences as it speculates the rationale behind the murders. Whilst the case is perhaps less notorious to UK audiences and a knowledge of the history of the case and trial is useful, the stage interpretation still encapsulates the gory nature and grips the audience. Created by Steven Cheslik-DeMeyer and Alan Stevens Hewitt and Tim Maner, the depiction is fast-paced to create tension, however, the second act could benefit from more time dedicated to the infamous trial.
Portrayed through the perspectives of four females; Lizzie, her sister Emma, neighbour and lover Alice and maid Bridget, firmly places the musical within a feminist stance. Drawing parallels to musicals such as Chicago and Six, Lizzie portrays the ideals of feminism in a different perspective, culminating in the unity and power of female solidarity.
The new cast for this latest run brings with it an extraordinary level of talent. Kayleigh McKnight in the title role, delivers the powerhouse vocals expected for this part and flawlessly captures the switch between Lizzie the victim and the madness of the Lizzie who fights to take control of her life. The electric music and vocals fill the small space of the Hope Mill Theatre, immersing the audience, alongside clever directorial instructions to add intensity and a sense of unease.
Ahead of her upcoming run in Bat Out of Hell, Katie Tonkinson, takes on the role of Lizzie’s neighbour and lover Alice, providing the show with a softer and somewhat gentler element which juxtaposes with the chaos and turmoil of Lizzie. Jennifer Caldwell plays Bridget, the Borden’s maid who Emma and Lizzie call Maggie, after their previous maid. Caldwell adds an effective comedic element to the tale, with pointed looks at the audience. Last but by no means least, Emilie Louise Israel portrays Emma, Lizzie’s older sister bringing her powerful, authoritative vocals to the cast.
The whole all-female cast complements each other perfectly, each adding an extra dimension to the ‘girl-band’ on stage. The use of hand-held microphones at various points throughout the show, add to this concert feel and modern edge. The cyclical use of the song ‘Forty Whacks’, which has a sinister nursery rhyme like feel, stands out in stark contrast to the rock numbers throughout. William Whelton, director and choreographer, takes on this historical tale and presents it with a modern spin. The choreography, in particular, adds a contemporary energy, emulating this cyclical musical number through use of repetitive choreography. Set and lighting design by Andrew Exeter immediately set the tone with a single axe spinning centre stage and a simple yet effective wooden set design.
The combination of history and modern rock music stands this musical apart from others. But if you love Six, you’ll enjoy this historical, true crime musical with a modern twist.
This show was reviewed on the 20th October 2024 at Hope Mill Theatre, Manchester where it runs until the 17th November 2024. For tickets visit: LIZZIE The Musical – Hope Mill Theatre
Review written by Rachael and Gabrielle Groves
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Photo credit: Pamela Raith
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