This was my first time to Chipping Norton Theatre. What a little gem of a theatre. And SUCH a warm welcome from the front of house staff…walking into the bar we were hit by the aroma of mulled wine. Christmas has arrived!
Jack and the Beanstalk is written by Stephen Mitchell and directed by John Terry, artistic director of Chipping Norton Theatre. It also has original music and songs composed by Sarah Travis.
This little theatre has produced a fantastic panto. Its tiny stage has all the perfect panto elements. Right from the start, when Jack and Daisy the cow appear on the balcony of the auditorium, engaging the audience; through to booing Inga the baddy, delightfully played by Ailsa Joy; to the Dame, Gertrude’s slapstick scenes; to the community song, and giving out sweets to the audience; and, of course, the happy ending.
This version of Jack and the Beanstalk is set during the Viking age. This was a very clever device, and allowed the creative team to use Norse mythology, as well as more modern Scandinavian cultural references (more of that shortly). As director John Terry writes in the programme “We wanted to explore a world in which giants might conceivably exist”. This actually works very well, and makes a refreshing new take on this familiar tale. So rather than the usual medieval look of Jack and the Beanstalk, the design was allowed to go off in a different direction, and costume and make up benefitted from this different setting.
So, we were transported to the town of Smorgasbord, under Viking rule, but with a couple of Anglo-Saxons in Jack and his mum Gertrude, terrifically played by Josh Rosewood and Andy Cryer. Inga Klippansofa is in a power struggle with her Viking father Olaf Billybookcase. So here you start to see the start of the more modern scandi cultural references….and very effective they are too. A particular highlight being the blue and gold dress that Gertrude wears mid way through, made from a very famous large blue handled bag from a certain store!
The cast were all extremely good. Very tightly rehearsed and confident. I especially liked Ailsa Joy’s Inga and Ruth Brotherton’s Daisy, as well as Andy Cryer’s Gertrude. But everyone was good in this production, even the small number of youth cast. We had the Green Beanstalks last night, and special mention should go to Lucy Eyles, Isla Morris, Aliya Nixon and Vivi Walkden, who really made their marks on stage. If I were to be picky, I’d say it would have been better had they been miked up, as they were a little quieter than their adult counterparts, but nonetheless, they all had lovely character parts, and versatility throughout and some lovely comic timing. We particularly liked Morton - Aha!
The Viking setting not only worked with the plot devices, but like with the Ikea inspired dress, there were also some wonderful comic touches. I loved the line at the end, for the sparkly finale, that sequins are just tiny little shields! And we also loved the model Viking long ship and puppets at the end, and the flatpack giant trap. It also allowed for a very effective axe throwing scene for Gertrude and heroine Lotta and Jack, complete with audience member.
Special mention should definitely go to the front of house team. They were very friendly and attentive, and made the whole experience for young and old an absolute treat, from giving out the packs of Jelly beans to giving out the tickling sticks!
My test for a good panto, is to see what the children make of it. Well, the little 5 year old Grufalo sat next to us, was entranced throughout. And he was not alone. So a success, I would say!
All in all, this was a thoroughly enjoyable night out. The audience young and old, were completely engaged throughout. So head out to the Cotswolds for some Viking fun!
Jack and the Beanstalk was reviewed on the 15th of November 2024. The Red Shoes is at Chipping Norton Theatre, until 12th January 2025. Tickets: https://www.chippingnortontheatre.com/events/jack-and-the-beanstalk
Review written by Ruth Hawkins
AD/Gifted
Photo credit: Felicity Fox.
Check out other reviews from Curtain Call Reviews and get in touch to have our reviewers head to your show.
We need your consent to load the translations
We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.