I'm Sorry, Prime Minister
There is a certain hype about a production that is billed as ‘The Final Chapter of YES MINISTER’, a satirical Sit Com that considered the entitled attitudes of the political classes. More of that in a moment.
The original writer of the series, Jonathan Lynn is also responsible for this stage adaptation. We witness the original characters of former Prime Minister Jim Hacker (Simon Rouse) and his wily senior civil servant, Sir Humphrey (Clive Francis), reunited in the twilight years of their lives, no less entitled, and no more aware of the world around them.
Bringing the story up-to-date is the character of Sophie (Princess Donnough), Hacker’s care worker, a black, lesbian, English graduate of the college that Hacker has given his name to. Sophie is married (to a woman, obviously), causing Hacker to remark: ‘how very modern of you’! And so sets the tone of their relationship.
The plot is about the clash of generations, the loss of entitlement, and acceptance of the need for change. All with the backdrop of Hacker as the master of an Oxford College, facing the prospect of being evicted from his role and his home – the two things he thought were forever.
The set is beautifully constructed, giving us the typical image of an academic surrounded by books and papers. Through the windows we have a view of Oxford, complete with a very effective videography of the changing weather conditions, marking the passing of time. The walls are adorned with memories of Hacker’s past career – former PMs ascending the stair case in homage to his former No.10 residence, and a Monet-esque view of the Palace of Westminster in the background.
I come back to the point about the hype of the production’s billing. The script does give us some funny moments. There are the familiar monologues of Sir Humphrey, with the vocal dexterity to confuse the most intelligent of people. Francis receives a deserved round of applause for one particularly complex passage. Sophie brings the much-needed modern twist to the script, and there is a charm that Donnough brings to the role. Completing the cast of four is William Chubb, playing Sir David, and equally entitled high court judge, who is tasked with delivering the eviction orders to Hacker. Chubb is the embodiment of such a role, also referred to as the Grim Reaper!
However, there aren’t the expected laugh-a-minute moments that the original series brought. Perhaps that’s because there are times when the two original characters seem to have lost their way – in fact there is one very obvious moment that needs resetting, which Francis does professionally, but to the detriment of the flow.
As the plot develops, old attitudes are challenged, but it feels as though it’s done in a preachy way. Sophie gets offered a job over the phone as a JEDI (Justice, Equality, Diversity and Inclusion Officer!) in a way and at a speed that no Higher Education institution would operate. At the end, there is a conclusion but it’s all a bit ‘they live happily ever after’.
I imagine die-hard fans of the original series will appreciate the opportunity for nostalgia and conclusion, but on this occasion, sorry Prime Minister, it doesn’t quite get my vote.
This show was reviewed on the 26th May 2026 at Richmond Theatre where it runs until the 30th May 2026. Tickets available here: I'm Sorry, Prime Minister Tickets | Richmond Theatre in Richmond | ATG Tickets
Full tour details here: I’m Sorry, Prime Minister
Review written by Ian Worsfold
AD/Gifted
Photo credit: Johan Persson
Check out other reviews from Curtain Call Reviews and get in touch to have our reviewers head to your show