Hairspray!
"Hairspray" has a long-standing place in popular culture – from its origins as John Waters' cult-classic 1988 film, to the 2002 Broadway musical, the star-studded 2007 film adaptation, and numerous international touring productions. It certainly isn’t the "new girl in town."
The show offers a unique social commentary on racial integration, body positivity and love, all set to a Tony Award-winning soundtrack with plenty of laughs along the way.
Led effortlessly by Katie Brace as Tracy Turnblad, the opening number, "Good Morning Baltimore," sets the bar high – very high. Brace is sensational; she had the entire theatre laughing with just a look. Couple that with her powerful vocals and impeccable comedic timing, and you’ve got a star.
Speaking of comedic timing, Neil Hurst as Edna Turnblad and Dermot Canavan as Wilbur Turnblad are hilarious. As a huge fan of Hurst – a Hull panto favourite – I knew we were in for a treat the moment I saw his name on the playbill. Together with Canavan, magic happens. Their performance was pure joy, and the way they had us laughing – and laughing, and laughing – during "You’re Timeless to Me" was one of the best moments of theatre I’ve had the privilege of experiencing.
Michelle Ndegwa’s performance as Motormouth Maybelle was standout. Ndegwa’s rendition of “I Know Where I’ve Been” was particularly moving. A simple yet striking scene, the clever use of visuals featuring icons of the American Civil Rights Movement – Martin Luther King Jr., Rosa Parks, and Malcolm X – delivered a powerful message about racial segregation and hatred, a message that still feels relevant in 2024.
The entire cast had boundless energy, breezing through the choreography and musical numbers. “Mama, I’m a Big Girl Now,” “Welcome to the 60s,” and “The Big Doll House” were highlights for me. Every cast member had their moment to shine, and not one let up on the relentless energy and enthusiasm.
That energy was mirrored in the staging, costumes, and visuals. Although I’m not usually a fan of animated backdrops, in this case, the balance between physical staging and screen visuals was perfect. The transitions were seamless, and the costume design was incredible — the cast used every inch of the stage, and I’ve never seen so many sequins!
From start to finish, Hairspray was pure joy. It really is must-see.
Hairspray! was reviewed on the 18th of November 2024 at Hull New Theatre, where it will run until Saturday 23 November. For more information and tickets click here: www.hulltheatres.co.uk/theatre-events/hairspray
Review written by Mel Cooper
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