This 1950’s musical runs the risk of feeling dated in its themes of sinners and salvation, but the Bridge Theatre production feels fresh, new and exciting with its immersive take on this golden age musical. The design from Bunny Christie is incredibly clever and well thought out. With rising platforms, neon lights and use of the promenade space, this is a show which can transform itself and its setting in a matter of moments, taking us from the streets of New York to the Hot Box Club in a slick way.
There is a choice for the audience as to whether they wish to sit or stand for the performance, I chose to stand and I do feel I was better immersed in the production. I imagine being seated may at times feel disconnected for the action (but I will have to make a return visit to test this theory!). Due to the nature of the show there is some movement and shuffling required from the standing audience, and you have to be prepared to get involved a little bit but it is great fun and the direction from Nicholas Hytner shows clear thought for the sightlines of the venue ensuring you can see all the key plot points in the show. The only small downfall is that due to the immersive nature it can be distracting sometimes having to move around to allow actors to the stage or for props to be brought on. It does bring you out of the action for a few moments.
The cast has seen two recent additions; Gina Beck as Sarah Brown and Michael Simkins as Arvide Abernathy and they are fantastic additions indeed! Gina Beck shines in the role of Sarah Brown, a missionary of the ‘Save A Soul Mission’ who seeks to save sinners but is drawn a little way down the wrong path by gambler Sky Masterson (George Ioannides). The chemistry between Beck and Ioannides is palpable and they perform so wonderfully together, particularly singing ‘I’ve Never Been In Love Before’.
Michael Simkins as Arvide Abernathy feels warm and comfortable in the role. His performance of ‘More I Cannot Wish You’ is beautiful and shows an incredible talent.
The other story of the show is that of Nathan Detroit (Owain Arthur) and Miss Adelaide (Timmika Ramsay), a dancing girl and a gambler who have been engaged for 14 years (much to her displeasure!). Theirs is a story of absolute love and adoration but also tinged with frustration. Arthur and Ramsay work so well together and separately in these roles. Ramsay is the shining star of this production, giving us huge songs such as ‘Adelaide’s Lament’ and ‘Take Back Your Mink’. Ramsay has a voice to die for and shows it off incredibly here! The choreography from Dame Arlene Phillips is sensational to watch, the big group numbers are breath taking and give all the cast a chance to show off their fantastic skills.
Everything about this show feels strong and finessed. It’s a big showy golden age musical staged in a brilliant new way. The immersive nature adds an element of excitement to the evening while maintaining the storytelling aspect.
This show was reviewed on the 9th September 2024 at the Bridge Theatre, London where it runs until the 4th January 2025. Tickets available here: Guys & Dolls (bridgetheatre.co.uk)
Review written by Rosie Browne
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Photo credit: Manuel Harlan
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