Gulliver's Travels

Shows at Chickenshed rarely disappoint - and this new take on Gulliver's Travels was no exception. Loosely based on the well known book of the same title, this family friendly musical adaptation delivers a delightful blend of whimsy and wonder as we follow Doctor Molly on a quest to find her way home.

A cohort of colourful characters take us on a wild journey through lands of mischief and magic, with 4 main actors seeming to lead the way. Tom Harvey played the namesake role, and acted as the show’s narrator - he was approachable and silly, just right for this piece. Chloe Bradbury and Loren Jacobs seemed then to come hand in hand as the jestful duo, toppling and tumbling through each scene with flair. Finally, Georgie Pratten was our protagonist and filled the room with light and love - a total star on stage.

A vibrant supporting ensemble of performers both big and small really brought the world to life, with  playful energy that keeps the audience enthralled from start to finish. Aiding this was the combination of fun puppets and minimal set, adding texture and depth to the story without being overstimulating. The same can be said for the hand-drawn style animations (Carina Moscattini) that managed to avoid the cartoon cliches and instead was presented as if the cast had crafted it themselves. 

A definite highlight was Loren Jacobs’ choreography, as there were some seriously impressive stunts from all angles! It seemed as though something was always happening, not too much to detract from the action, but just engaging enough to fit with the 50 minute run time. Inclusion of British Sign Language in some of the numbers also highlights Chickenshed's commitment to inclusivity, ensuring that everyone can appreciate the experience.

Despite its silly and nonsensical nature, the show never becomes frustrating; primarily because there was an overarching theme in lieu of set problems and solutions to drive the plot. It’s a joy to simply have fun and drift from one fantastical realm to the next, with the pace helping to keep it all afloat. The songs* were catchy without being too childish, and the varied voices of the cast serve as a reminder that enjoyable theatre doesn’t need to be pitch-perfect to be professional.     *(Music by Matt BallantyneKenny Forrester, Lyrics by Pete DowseSarah Driver)

The array of spaces at this venue is a testament to their work, and this studio theatre is especially unique as you are up and close to the action - really invited in to take part. This worked flawlessly at our performance as the auditorium was small but full, and everyone got involved! This production is made for all audiences, with particular attention to those with PMLD or neurodivergences - a brilliant provision to have.

This show was reviewed on August 10th, 2024, at Chickenshed, London.  You can find out more about Chickenshed and the work they do here: Home - Chickenshed

Review written by Katie Anna McConnell

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