Glorious!
There’s a peculiar kind of magic in a show that knows exactly what it is and ‘Glorious!’ leans into that magic with unapologetic comedy and chaos. This tour, starring Wendi Peters and Matthew James Morrison, doesn’t try to polish imperfection; it celebrates it and in doing so, becomes something unexpectedly joyful.
Wendi Peters delivers a performance that feels both expertly crafted and delightfully chaotic. Her portrayal of Florence Foster Jenkins walks a tightrope between sincerity and absurdity. With glimpses of Hyacinth Bucket in ‘Keeping Up Appearances’ Peters captures the essence of someone driven by passion rather than talent and does this very well. What’s remarkable is how she never turns the character into a joke. Instead, she invites the audience to laugh with her, not at her, creating warmth that lingers long after the curtain falls. Her comedy timing needs mentioning as she hits all the beats in the right places.
Opposite her, Matthew James Morrison provides a grounded counterbalance as Cosmè. Breaking down the fourth wall Morrison is engaging as he narrates the scene changes completely holding the audience attention throughout. Morrison’s performance is subtle where Peters is bold and measured. Where she is extravagant he is very witty and plays the eccentric moments well. With amazing diction and projection together they are simply marvelous, creating a dynamic that’s naturalistic keeping the show from tipping too far into parody.
The production itself embraces a deliberate simplicity. Rather than relying on grand spectacle, it trusts the performers, their performances and Peter Quilters wonderful script to carry the evening rather than any cheap gimmicks. This choice pays off and every awkward note, every exaggerated gesture, every moment of silence feels intentional, drawing the audience deeper into their world. Margaret Locks costumes were cleverly thought out and proved to be the icing on the cake, the tones, the colour palates and the styles suited each individual. Beneath the comedy lies a story about ambition, self belief and the human need to be heard and loved, even when the world insists otherwise. It’s this sincerity that elevates the show from a clever comedy to something more resonant. By the end, you’re not just entertained you’re oddly moved.
Glorious doesn’t ask whether its central character is good or bad at what she does. Instead, it asks something far more interesting: what does it mean to pursue something you love, no matter the odds? And in that question, this production finds its voice. Loud, off key and absolutely unforgettable. The message has so much heart that if you wish to be inspired, you must simply book a ticket.
This show was reviewed at the Theatre Royal Windsor on the 17th March 2026 where it runs until the 21st March 2026. Tickets available here: Glorious! – Theatre Royal Windsor
Full tour details here: Glorious! The Play - The critically acclaimed West End hit comedy on tour in the UK from February 2026
Review written by Sam Sadler
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Photo credit: Mark Senior
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