Ghosts
For a play written in 1882 to still be revived today speaks volumes about the quality and relevance of its text. When Ghosts first premiered, it was met with harsh criticism for its heavy and controversial subject matter. So how does the Lyric Hammersmith’s reimagining of this powerful work unfold?
We meet Helena, a widow who has spent her life protecting her late husband’s reputation. That is, until her son, Oz, returns home for the opening of a hospital dedicated to his father’s memory. As the story unfolds, secrets from the past begin to surface, and the 'ghosts' haunting this family feel more present than ever.
As part of the theatre’s 130th anniversary, Henrik Ibsen’s classic has been brought into the modern day, offering a fresh and urgent take on the original. Gary Owen reinterprets the text with a focus on complex family dynamics and a range of difficult, often uncomfortable themes that still resonate in today’s society. In my opinion, it’s best experienced with little to no prior knowledge, and so this review will avoid spoilers to preserve the full impact of its most shocking revelations.
Owen’s writing is deeply thought-provoking, and setting the play in the present makes it instantly relatable which lingers long after the final bow, asking big questions of its audience. Despite the darkness of the material, it’s peppered with clever, much-needed humour that sheds light on unsettling conversations, brought to life by a stellar cast.
Director Rachel O’Riordan once again collaborates with Owen, ensuring that the intensity and theatricality of the piece are front and centre. With Merle Hensel’s minimalist set design, there’s nowhere to hide. No set changes or scene shifts. The actors hold our attention throughout, never needing the distraction of moving locations. The stage features only a sofa and a mirrored screen filled with smoke, and Simisola Majekodunmi’s striking lighting design adds further intrigue. This simplicity allows the audience to fully connect with the performances and the text.
The five-strong cast each deliver impressive performances, but Callum Scott Howells as Oz is the standout. His portrayal is raw, authentic, and unpredictable—seamlessly shifting between emotional intensity and sharp comedic timing. Victoria Smurfit also shines as Helena, the emotional anchor and driving force of the story. As her character grapples with a series of revelations and buried trauma, Smurfit draws the audience into her turmoil with a performance that is both powerful and haunting.
Rhashan Stone brings a grounded presence as Andersen, sharing a natural and compelling chemistry with Smurfit. Sex Education star Patricia Allison makes a strong impact with a significant story arc, despite having more limited stage time. Meanwhile, Deka Walmsley as Jacob appears sparingly but leaves a lasting impression with each emotionally charged moment.
This is a fascinating piece of theatre that grips you from start to finish. ‘Ghosts’ dares you to expect the unexpected and stands out as one of the most compelling and entertaining productions you’re likely to see. Gary Owen has breathed new life into this disturbing yet insightful text whilst ensuring it’s relevant for a modern audience. Unearthing the past has never been so thrilling.
This show was reviewed on the 16th April 2025 at the Lyric Hammersmith Theatre where it runs until the 10th May 2025. Tickets available here: Ghosts - Lyric Hammersmith
Review written by Jordan Potts
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Photo credit: Helen Murray
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