Dr Strangelove
Dr. Strangelove, based on the 1964 Stanley Kubrick film, revisits a time when the world teetered on the brink of nuclear war. This anti-war farce highlights how even multiple layers of fail-safes can be easily circumvented, setting events in motion that cannot so easily be undone.
Given the farcical tone, you might have some idea of what to expect. However, I was surprised by just how many roles Steve Coogan would be playing. Each one was performed excellently, with what must have been some lightning-quick costume and wig changes. Coogan plays Dr. Strangelove, Captain Mandrake, President Muffley, and Major T.J. Kong. Clever use of body doubles gives the impression that two of these characters are still on stage at times. His portrayal of Captain Mandrake, a British RAF officer, is reminiscent of a young Prince Charles, while Dr. Strangelove, with his wheelchair, stiff ‘robotic’ arm, and German accent, couldn’t be more different.
The set, designed by Hildegard Bechtle (Set and Costume Designer), is beautifully crafted. The Octagon War Room exudes grandeur with its giant round table and the Big Board, projected across screens for added impact. The thoughtful addition of screens on either side of the circles ensures those with limited views can still see all the action. The set itself even joins in the comedy, with characters popping out from under tables and behind sofas, and the Coca-Cola dispenser adding to the farcical tone.
After the interval, we’re treated to a cockpit scene, which is quite a spectacle. The remainder of the plane and moving scenery were shown on screens (Akhila Krishnan, Projection Designer). Though it gave the impression of a bent plane from my view in the stalls, the idea and effect were still impressive.
Giles Terera delivers a fantastic performance as General Turgidson, portraying a character whose bravado and confidence slowly unravel as the play progresses. His gradual breakdown adds another layer of humour to the unfolding chaos. Meanwhile, Tony Jayawardena brings a memorable presence to the Russian Ambassador Bakov, whose preoccupation with his poached fish is both amusing and oddly endearing. His craving eventually gets the better of him when the dish is finally served, adding a comedic touch to his otherwise tense diplomatic role.
Given the film’s legacy, there are some jokes, particularly those involving nationalities, that some audiences may find sensitive. However, every nationality involved receives some ribbing, with a small but comedic highlight being the very polite Canadian, who even thanks others for nominating Toronto as a bombing target.
On a cautionary note, the production contains violence, suicide, and genocide, all played as darkly humorous elements. The onstage fighting is well-choreographed, though perhaps a bit too safe, as punches sometimes looked like they didn’t quite connect. Still, it was so well-executed that it didn’t appear deliberately farcical. The gunshots and flashes were striking enough to make everyone jump, adding a thrilling edge to the performance.
I haven’t seen the original film, but this show has definitely inspired me to watch it. When I mentioned the play to my parents, their faces lit up with nostalgia, so I’ll definitely be taking them to see it.
The show holds your attention throughout, with sharp writing that ties up all plot points, including an offhand reference to a phone call. The characters are memorable, and the play both opens and closes with a short musical number, adding a final touch of charm.
A solid five-star show in my opinion, though some politically charged jokes might fly over the heads of less politically minded viewers.
Laughing through the apocalypse: with a hilarious descent into chaos.
This show was reviewed on the 26th October 2024 at the Noel Coward Theatre, London where it runs until the 25th January 2025. Tickets available here: Dr. Strangelove | Starring Steve Coogan | Noel Coward Theatre
Review written by Valentine Gale-Sides
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Photo credit: Manuel Harlan
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