Chitty Chitty Bang Bang
I think it is fair to assume that for musical lovers, there is a show or a film that started it all. For me, it was Chitty Chitty Bang Bang. I remember watching it as a child and falling in love; last night at Hull New Theatre, I fell in love all over again.
The book, written by Ian Fleming of James Bond fame, was published in 1964, adapted for the silver screen in 1968, and debuted at the London Palladium in 2002. It is a firm family favourite for many, following the whimsical adventures of the Potts family, their magical car, and a Vulgarian Baron’s plot to capture it.
From curtain up, we were treated to relentless energy. The opening number really set the pace with the hugely talented cast and ensemble not faltering at all.
Adam Garcia is every bit believable as the eccentric inventor Caractacus Potts. As a fan of the film, I found that he embodied Dick Van Dyke’s 1968 performance perfectly (although obviously with a notably better English accent). Garcia’s performance throughout was captivating, with "Hushabye Mountain" and "Me Ol’ Bamboo" being highlights.
Ellie Nunn is an outstanding Truly Scrumptious. From the moment she steps on stage, she is enchanting and conveys a believable warmth, particularly towards the young actors playing Jeremy and Jemima Potts. Nunn’s vocals are to die for; her performance in "Lovely, Lonely Man" took my breath away. Together, Garcia and Nunn’s "Doll on a Music Box" was a standout moment.
My hairs stood on end as we heard The Childcatcher call “children” for the first time from offstage. Played by The Vivienne, their entrance and portrayal of the character, who I’m sure haunts many childhood nightmares, was exceptional. Although only on stage for a short while, their presence was certainly known.
Notable mention must go to Adam Stafford and Michael Joseph, who together gave a laugh-out-loud performance as the Baron’s hapless spies, Boris and Goran. Their humour was perfect for keeping the younger audience members engaged throughout what is arguably a long show for children at 2 hours and 40 minutes, while still being funny enough to keep the adults entertained.
The staging and props were sparse, but the combination of intricate inventions and simple set design felt magical. The transitions were effortless and cleverly humorous; I felt they were pitched perfectly for the family audience. Together, this added to a feeling reminiscent of the Golden Age of Hollywood and evoked a sense of nostalgia.
I have to say, I found this to be one of the only shows I’ve seen where my mind didn’t wander, not even for a minute, which speaks volumes! I’m somewhat embarrassed to admit it, but I did find myself shedding a tear during not only Chitty’s reveal but also the finale.
This show was reviewed on the 29th October 2024 at the Hull New Theatre where it runs until the 2nd November 2024. Tickets available here: Chitty Chitty Bang Bang – Hull Theatres
Review written by Mel Cooper
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