Setting the scene at the Royal Court was an 80s soundtrack juxtaposed with the setting of a cold construction yard, downlit blue spotlights and projections of the River Mersey on the backdrop. The set, along with costumes by Amy Jane Cook, was practical and realistic with the use of cranes as framing devices and graphic-focussed projections which helped to progress the narrative.

The play has short, snappy scenes – some very uncomfortable and even tragic to watch but broken up by the dry humour that Liverpool is known for. Transitions between scenes were smooth and complimented by a shanty song sung by the cast, showing their subliminal unity. 

This play has a mass of talent on stage, it truly is a masterclass in ensemble theatre. The cast seamlessly switched between roles with not only a change of accent but a fully transitioned demeanour. Lauren O’Neil gave a standout performance, with great comic timing as Jean and depths of emotion in Angie. Barry Sloane took us on an entertaining but ultimately wrenching journey as Yozzer, with a superb emotive performance whilst also being respectful to mental health.