Barnum

Barnum holds a very special and nostalgic part of my heart as during my own childhood performing days we once performed our own version of 'Join the Circus', where, fun fact, I had to teach myself how to juggle, which I can still do all of these years later.......this instantly brings such joy to my mind and my expectations were set fairly high even before the curtain rose!

The latest touring production of Barnum earns a solid four stars for sheer theatrical bravado — a joyful, high-wire celebration of spectacle that leans fully into the show’s spirit of “humbug” while showcasing an astonishingly multi-talented company.

From the moment the curtain rises, this is unmistakably a circus first and a musical second — and that’s very much to its credit. The production bursts with energy, driven by a troupe of extraordinary circus performers whose athleticism is nothing short of breath-taking. High-wire walks, aerial silks, fire tricks and acrobatics unfold seamlessly alongside the storytelling, creating a sense of genuine risk and excitement that keeps the audience on edge throughout. The performers aren’t just embellishment; they are the show, embodying the larger-than-life world of P.T. Barnum with thrilling physicality. 

What truly sets this production apart, however, is its commitment to the actor-musician format. Every member of the cast appears to be playing at least one instrument — and often several — contributing to a rich, brassy, bandstand sound that feels entirely organic. With over 150 instruments used across the performance, the stage becomes a constantly shifting musical playground, where a performer might leap from a trapeze one moment and pick up a trumpet the next. This all-in approach adds an infectious sense of playfulness and ingenuity, reinforcing the idea that this is theatre powered by human skill rather than technical trickery.

At the centre of it all is Lee Mead, who proves himself perfectly cast as the charismatic showman. He captures Barnum’s blend of charm, mischief and relentless optimism with ease, making even the most blatant “humbug” feel strangely sincere. Vocally assured and physically agile — even tackling the show’s more demanding circus elements including a nail biting high wire walk — Mead commands the stage with a natural authority that anchors the production. 

As Charity Barnum, Monique Young brings a beautifully grounded warmth to the production, acting as the emotional anchor amid the surrounding spectacle. Her performance is both resolute and tender, capturing Charity’s quiet strength and moral compass with a natural ease. Crucially, her chemistry with Mead makes their relationship feel authentic and central to the story, ensuring that beneath all the showmanship and “humbug,” it’s Charity’s steady presence that gives the musical its soul.

The score of Barnum, with music by Cy Coleman and lyrics by Michael Stewart, is a lively mix of traditional musical theatre and brassy circus flair. Songs like Come Follow the Band and Join the Circus burst with infectious energy, perfectly capturing the razzmatazz of Barnum’s world, while The Colours of My Life offers a more reflective, melodic contrast and is the stand out number in the show for me especially with Mead's beautiful tone. 

This Barnum knows exactly what it is: a vibrant, chaotic, and thoroughly entertaining celebration of showmanship. 

This show was reviewed on the 21st April 2026 at the Birmingham Hippodrome where it runs until the 25th April 2026.  Tickets available here: Barnum – Birmingham Hippodrome

You can find full tour details for the show here: Barnum | 2026 UK & Ireland Tour – Bill Kenwright Limited

Review written by Emma Rowley

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Photo credit: Pamela Raith

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