Premiering in 2019 at Manchester’s Opera House before making its way to London’s West End, the jukebox musical & Juliet quickly gained a cult following. Although its run was inevitably affected by the impact of COVID-19, the show still made a lasting impression. Now, as it reaches the latter stages of its first UK tour, audiences once again have the chance to enjoy this glorious production.
The three-time Olivier Award-winning and six time WhatsOnStage Award-winning show puts Juliet at the heart of one of Shakespeare’s most iconic stories but with a twist. In this bold reimagining, Juliet chooses not to end her life alongside Romeo and instead sets out on a journey to write her own story. Packed with nostalgic pop anthems, this larger than life romantic comedy proves there is, indeed, life after Romeo.
David West Read has crafted an impressive book that makes the show accessible to all. It’s filled with characters audiences will recognise from the classic tale, along with clever jokes and witty commentary that will engage even those less familiar with the original work. With six lead characters whose stories intertwine, it’s no small feat to give each enough stage time to develop their individual arcs—but the show does so successfully. From William Shakespeare and Anne Hathaway ‘rewriting the story’ to Juliet’s nurse Angelique revisiting past experiences with Lance, each storyline is given the space it needs to be fully explored and satisfyingly complete.
This is only further enhanced by the impressive array of bona fide smash hits featured in the score. Swedish song writing expert and producer Max Martin, known for crafting hits for the likes of Britney Spears, Backstreet Boys, and Katy Perry, all of which appear in the show, brings his signature touch to the soundtrack. It perfectly encapsulates the spirit of the show without ever feeling cheap or forced. While jukebox musicals often fall into the trap of shoehorning songs in for the sake of it, & Juliet stands out for its meticulous song placement, a true testament to the show's longevity and thoughtful execution.
Often, touring productions reduce staging to cut costs or simplify logistics. That’s not the case with this show, which remains faithful to its West End counterpart. While some of the more challenging elements have been adapted, the sheer extravagance is undiminished. Impressive set changes, designed by Soutra Gilmour, transport the audience seamlessly from Juliet’s bedroom to Verona and Paris. Throw in confetti, fireworks and cast members hanging from chandeliers and it would be easy to forget this isn’t a current West End performing show. It’s hard to think of another touring production that would elate the amount of pure joy that this show does.
Luke Sheppard’s inspired direction seamlessly weaves all elements of the production together. Jennifer Webber’s modern, catchy choreography is a standout, giving the talented ensemble countless moments to shine. When paired with Paloma Young’s unique, intricate, eye-catching costumes and Howard Hudson’s pop concert-style lighting, the result is a creative vision that’s nothing short of spectacular.
Marking her professional debut in the lead role, Geraldine Sacdalan delivers a faultless performance. It's hard to believe this is her first job since graduating from Urdang, as she brings confidence and powerful vocals to a demanding role. Rightfully nominated for Best Professional Debut at this year's WhatsOnStage Awards, this seems to be just the beginning of a bright future for the rising star.
Recently joining the tour after originating the role of Romeo on Broadway, Benjamin Jackson Walker returns with a performance that feels confident and larger than life. He brings a more human element to Romeo, with well-judged moments of light and shade, and just the right touch of foolishness. Walker seriously impresses in his U.K. performance debut.
Sandra Marvin as Nurse Angelique and Dr. Ranj as Lance bring a steady stream of laughs with their comedic chemistry, even if Ranj’s accent occasionally slips. Rather than distract, it only adds to the show's deliciously campy debauchery—especially when a character cheekily declares, “We’re not doing accents?” Kyle Cox (Francois) and Jordan Broach (May) share undeniable chemistry, anchoring an engaging story arc that unfolds throughout the show. The Wanted’s Jay McGuiness takes on the role of William Shakespeare at select venues, clearly relishing every moment on stage. Meanwhile, Lara Denning, as his wife Anne, is a standout lighting up the stage with razor-sharp comic timing and powerhouse vocals, particularly during her show-stopping number, ‘That’s The Way It Is.’
& Juliet is the show everyone’s talking about—and rightly so. At its heart are powerful messages, delivered through a fun, clever reimagining of a classic tale, packed with catchy songs that’ll have you toe-tapping all night. & Juliet is guaranteed to give you a fantastic night at the theatre that will satisfy all ages. Wild, wonderful and totally roar-some, this show rewrites Shakespeare with glitter, girl power, and a whole load of pop anthems.
This show was reviewed on the 22nd April 2025 at Birmingham Hippodrome where it runs until the 3rd May 2025. Tickets available here: & Juliet – Birmingham Hippodrome
Full tour details here: & Juliet | Official UK Tour Website
Review written by Jordan Potts
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Photo credit: Supplied by Production
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