A Christmas Carol(ish)

Tis the season for A Christmas Carol, a story beloved by many being told in many different formats all over the country at this time of year. It can be difficult to find a production that will stand out over the others, but A Christmas Carol (ish) succeeds in this task. I saw this festive offering in 2023 at Soho Theatre and I did not think it could improve on that production, but I was very wrong; it has been expanded, given a bigger venue which allows for more grandeur and there are some additional songs included too!

Nick Mohammed has kept true to the original Charles Dickens story in that it features the ghosts of Christmases past, present and future, a Bah Humbugging Scrooge (though for copyright reasons, it’s Santa exploiting his Elven workers) and a moral ending to warm your heart, ultimately though the story goes completely off track and becomes utterly brilliant chaos. 

It uses the ‘play within a play’ format so Nick Mohammed is Mr Swallows, a character of his own creation who is frustrating and endearing in equal measure. David Elms reprises his role as the straight man of the piece, Mr Goldsworth the long-suffering producer of the show who has invested his entire inheritance into the production. David does a wonderful job of remaining the constant dead-pan counterpart to the chaotic Mr Swallows. Martha Howe-Dougals brings fantastic energy to Rochelle, a cruise ship singer who only took the job on the promise of being able to promote her new solo album and book. Rounding up the cast is Kieran Hodgson as Jonathan, a lonely man who just wants to fit in somewhere. There is also a special cameo in the role of ‘God’, I will give no spoilers but fans of a certain football themed tv show will be thrilled!!

My cheeks hurt after laughing for the entire 2 hours.  The songs range in style from big golden age musical numbers to folky ballads; each one filled with more comedy than the last, in particular I enjoyed ‘Being Santa’ and ‘The Reindeer Song’. 

The set design from Fly Davis is very clever, it has the feel of a workshop piled high with presents, some containing fun surprises! This show hits every beat with perfectly choreographed gaffes (think the Play That Goes Wrong), larger than life characters and nothing falls flat – though there is risk of it with one particularly acrobatic sequence!

This show is so much more than just a Christmas show, it’s a chance to take in something new with the nostalgia of the original Dickens story. The performances are brilliant to watch and in my opinion, this is the best version of A Christmas Carol on stage, and I hope it becomes a yearly tradition in the West End.

This show was reviewed on the 30th November 2024 at @sohoplace, London where it runs until the 31st December 2024.  Tickets available here: A Christmas Carol (ish) | West End Theatre | @sohoplace

Review written by Rosie Browne

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Photo credit: Matt Crockett

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