A Chorus Line

For me to be heading to a show that I’ve never seen is quite rare, however it was finally my turn to see A Chorus Line as it headed to the Birmingham Hippodrome as part of its UK Tour.  Needless to say, I knew the music and the storyline, but to see this particular production really affirmed my love for all things stagey!

Firstly, if you’re not familiar with the show, A Chorus Line, set in New York City, takes us on a journey of discovery as we watch over a group of dancers hoping to be cast in the next big show.  We hear each of their stories, their personal struggles, and why dancing means so much to them.  Leading the audition process is Zach, played by Adam Cooper.  He picks apart the very being of each of the hopefuls trying to aid him in his final decisions.  Cooper is masterful on stage, showing real leadership qualities in his performance. 

There is no real standout performer, as this show is the epitome of an ensemble piece.  Every character has their moment in the spotlight and are able to enthral us over a 1 hour 50 minute straight through show.  ‘Triple threat’ are perhaps the best words I can use to describe each and every one on stage.  From the opening number ‘I Hope I Get It’, right through to the closing number ‘One’, the pace is non-stop, and the quality of performance is first class, hence an easy 5-star rating!

I was suitably impressed by Sheila (Amy Thornton), Bebe (Lydia Bannister) and Maggie’s (Kate Parr) rendition of ‘At The Ballet’, along with Cassie’s (Carly Mercedes Dyer) ‘The Music and the Mirror’ and also Diana’s (Jocasta Gill) version of ‘What I Did For Love’.  Each of these vocal performances were sublime, and they all captured the very essence of each song perfectly.

The staging for this show (Grace Smart) is very minimal, showing us a glimpse of a completely empty stage with equipment boxes collected at the back and five very large mirrors facing the audience.  These mirrors were cleverly used by the performers as they turned their backs on us to perform to their own reflection, losing themselves in the music and the dancing.  Live video recording on stage was also present, a style that would be familiar to theatregoers who may have seen the recent production of Sunset Boulevard, or perhaps the Leicester Curve’s production of Evita.  I find that the use of video can sometimes help or hinder a show, but in this case, it again added an extra dimension.

Choreographer Ellen Kane has excelled in showcasing such wonderful talent during the many high energy numbers.  The big number in the show we’re all waiting for, ‘One’ did not disappoint at all and Kane satisfied our need for a big production number with sparkling gold top hats and tails (costuming by Edd Lindley) and a cascade of gold glitter adorning the stage with added pyrotechnics thrown in for good measure.  A real shame the glitter shower only covered half the stage, but in no way did that detract from the incredible spectacle of the closing number.

This show is a must see for any fan of musical theatre.  The precision, the talent and the vocal performances by this cast were simply sensational.

This show was reviewed on the 10th September 2024 at Birmingham Hippodrome where it runs until the 14th September 2024.  Tickets here: A Chorus Line – Birmingham Hippodrome

Review written by Emma Rowley

AD/Gifted

Photo credit: Marc Brenner

Check out other reviews from Curtain Call Reviews and get in touch to have our reviewers head to your show.

We need your consent to load the translations

We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.